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Alice Mary Smith

1839 - 1884

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Alice Mary Smith (married name Alice Mary Meadows White) was an English composer. Her compositions included two symphonies and a large collection of choral works, both sacred and secular.

Smith was born in London, the third child of a relatively well-to-do family. She showed aptitude for music from her early years and took lessons privately from William Sterndale Bennett and George Alexander Macfarren, publishing her first song in 1857. In November 1867, the year of her marriage to a lawyer, Frederick Meadows White, she was elected Female Professional Associate of the Royal Philharmonic Society. In 1884 she was elected an honorary member of the Royal Academy of Music. The same year, after a period of illness in which she went abroad to try to recover, she died of typhoid fever in London.

Smith was a prolific composer, writing for a diverse range of ensembles. Among her chamber compositions are four piano quartets, three string quartets and a clarinet sonata (1870), perhaps the first British example, anticipating sonatas by Swinnerton Heap, Prout, Tovey and Stanford. Her orchestral compositions include six concert overtures and two symphonies. Her first symphony, in C minor, was written at the age of 24 and performed by the Musical Society of London in 1863; the second, in A minor, was written for the Alexandra Palace competition of 1876, but was never submitted.

Smith composed two large pieces for the stage: an operetta, Gisela of Rüdesheim for chorus, orchestra, and soloists which was performed in 1865 at the Fitzwilliam Music Society, Cambridge, and The Masque of Pandora (1875), for which the orchestration was never completed.

Smith's oeuvre includes one of the largest collections of sacred choral music by a woman composer, and comprises six anthems, three canticles (and the beginning to a fourth), as well as a short Sacred Cantata Exile, based on episodes from Jean Racine's Esther. Her anthems Whoso hath this world's goods and By the waters of Babylon were performed in a liturgical context at St Andrew's, Wells Street by Sir Joseph Barnby in February 1864, making them the first recorded instance of music by a woman composer to be used for the liturgies of the Church of England.

In 1880 she turned her attention towards writing large-scale cantatas, all published by Novello & Co. These included Ode to the North-East Wind for chorus and orchestra, Ode to The Passions (1882), her longest work, performed at the Three Choirs Festival in Hereford in that year, and two cantatas for male voices in the last two years of her life. In her obituary, her husband claimed that she was working on a setting of the poem The Valley of Remorse by Louisa Sarah Bevington for chorus, soloists and orchestra; however, there is no manuscript to support this claim. Of her forty songs, her most popular work was the vocal duet O that we two were maying. Another, Lessons of the Gorses (setting Elizabeth Barrett Browning), was published in The Girl's Own Paper in 1883.

Biography taken from Wikipedia.

Andante for Clarinet and Orchestra | 1870 | 7 mins

Clarinet and Orchestra

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Sonata in A | 1870 | 24 mins

Clarinet And Piano

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